An Interview With Susan Gregg Gilmore, Author of The Improper Life of Bezellia Grove

by Jessica Phillips

The author will respond to your comments and questions about this interview on NowComment until December 20, 2011 at 5:00 p.m. (What is NowComment?)

Susan Gregg Gilmore is a Nashville-born author whose first novel, Looking for Salvation at the Dairy Queen (Crown, 2008), was a nominee for the Southern Independent Booksellers Alliance (SIBA) 2009 Book Award. Gilmore has also written for several newspapers such as the Los Angeles Times, The Christian Science Monitor and Chattanooga News-Free Press. Her complete bibliography can be found at her website.

Gilmore’s newest novel, The Improper Life of Bezellia Grove (Crown, 2010), is set in Nashville in the 1960s – a time charged with racial and political tension. Bezellia lives what would seem to outsiders to be a privileged life at the Grove mansion, yet she struggles with serious family issues including alcoholism and neglect. Eventually Bezellia faces prejudice and anger for her love-interest with the son of the family’s African American servant. Caught in-between her first name-sake – a heroic female ancestor – and the high class status of her last name, Bezellia struggles to realize her own identity when the society that raised her wants nothing more than to keep everyone in their “proper” place.

Q: What inspired you to write this novel?

A: Two things happened almost simultaneously that created what I’ve come to call the “perfect storm” of Bezellia Grove. First, I moved back to my native Nashville after 30 years of living elsewhere. A very new friend invited me to a dinner party to welcome me home. It was an incredible evening, and I met a woman there named Bezellia! It was such a powerful moment, hearing that name. I knew instantly it belonged to a girl who could carry a story forward on her own.

A few weeks later, I was touring a house for sale. I had spent a lot of time in this particular house as child but had never been in the basement until that day. When I reached the final step down the stairs, I stopped, breathless. In front of me were six rooms, with cinderblock walls, no windows, and double locks on the doors. I knew in that moment that this was where the staff had lived. And I also realized that when I was a child, happily playing upstairs, a very different world had literally existed right beneath my feet. It was haunting.

I was very aware of racial inequality as a child, but seeing this space brought a lot of uncomfortable thoughts and memories to the surface. I had to deal with those the only way I know how — to tell a story.

Q: According to the biography on your author website, you grew up in Nashville, where the novel is set. How much do you draw on your own experience in creating your characters?

A: Very much. In all things I write, I draw on my experiences as a Southern woman. That is not to say that I limit myself to that, but I think your formative years are very powerful and tend to readily drift into your writing.

Q: Bezellia’s is the sole perspective of the novel, apart from newspaper clippings that give a distanced look at the events in the family’s lives. Did you experiment with different characters’ perspectives for this novel, or were you always set in having Bezellia be the main voice?

A: I was always going to let Bezellia lead the way. I would not have felt adequate telling this story from Nathaniel’s or Maizelle’s or Samuel’s perspective. And I’m not sure I would want to spend the length of a novel in the angry, drunken head of her mother!

Q: There is a huge difference between the restrictive life at the Grove mansion and the rest of the 60s culture that Bezellia encounters throughout the novel: Loretta Lynn, the feminist movement, Seventeen magazine, etc. How did you decide the pacing at which Bezellia has these “foreign” experiences?

A: Hmm. That’s an excellent question, and I wish I had an excellent answer. I’m not sure it was always a well-thought-out decision. Most often, Bezellia set the tone and the pace as she meandered through this difficult time in her own life and in our nation’s history. And at other times, she merely reacted to the world around her.

Q: Bezellia has a rough family situation growing up, but her own naivety also tends to be her downfall. For example, her ignorance in being with Samuel in a neighborhood that disapproves of interracial relationships. What was your intention in giving Bezellia this particular character flaw?

A: I don’t see it as a character flaw or a naivety. Bezellia knew all too well what her mother and her community would think of her relationship with Samuel – that’s why she was very careful with it. Of course, she wanted to believe things could be different for them. That’s one of the many things I love about a young spirit – the belief that prejudices and societal norms can be changed and altered. In the end, even Bezellia knew that their relationship would not be easy or possible if she chose to stay in her native Nashville. She also felt a tremendous obligation to her family and was willing to sacrifice for them.

Q: Some of Bezellia’s subconscious motivations are present in the novel, especially the connection between her distant relationship with her father and her desire for male physical attention. How do you approach revealing a character’s subconscious motivations to the reader while also making it believable that the character is not aware of them?

A: Writers are told all the time to “show it” not “tell it.” But I think this is when it’s particularly important to do that. Motivations for a character’s actions are best developed as the characters shows us who he or she is. So if, for example, Bezellia is ignored by her father at the dinner table night after night, then we come to understand a little bit more about her and her needs.

Q: Although her mother Elizabeth comes across as overtly prejudiced against black people, Bezellia is surprised as other people she respects make stereotyping comments. Were these different “levels” of racism intentional, and how do you believe they contribute to the novel?

A: Yes, they were. Prejudice, unfortunately, comes in all shapes and sizes. There are those who are blatantly racist and those who are much more quiet with their feelings, but the result is still hurtful. It would have been illogical to paint Bezellia’s world any other way.

Q: The ending of the novel is certainly bittersweet, but fitting considering the reality of 60s Nashville. Were there any other endings you considered, and what led you to choose this ending?

A: Oh, I love a happy ending, but too often that is just not reality. And you really have to take your characters where they need to go. For Bezellia and Samuel, this was it – a bittersweet ending!

Jessica Phillips studies English at Truman State University in Kirksville, Missouri. Jessica currently interns for the premiere document commenting and sharing web application, NowComment.com.

Organizing Your Research with a Wiki

Gigi Amateau was our guest on December 9, when she gave a tutorial on using a wiki (a simple online database) for organizing research. In writing her first historical YA novel, she plunged in to more research than she had done with her first three YA novels. Notebooks weren’t quite cutting it for keeping track of all the dates, places, and details of the world she was recreating: Richmond at the turn of the 18th-19th centuries.

So she turned to a wiki. Often, wikis are used for large group projects, like Wikipedia, but Gigi found it helpful to compile her very own personal online encyclopedia. She was able to include links, documents, photographs, drawings, and almost anything else she wanted to use for reference. She has even kept a log of conversations and emails between her editor and herself. When her book is published in fall 2011, she’ll provide a public version of her wiki as a resource for readers and teachers.

How do you get started creating your own wiki? We’ve included links at the end of this article for sites offering wikis. Set up categories that make sense for your own project and start entering text. Link your text to websites that explain or elaborate. Link your wiki pages to each other. Think of it as a free-form database, all custom designed for you. It’s especially useful for collaborative projects, so allow access to your editors, writing group, or work colleagues.

Links to Wiki Providers:

We have not done exhaustive research on the list below. Think of it as a starting point. Thanks to WikiMatrix for listings and comparisons.

  • Wikispaces - This is the provider Gigi uses. It’s free if your wiki is public (the content will be indexed by search engines). There is a charge if you want it to be private. Multiple pricing levels.
  • PBWorks – Has Basic (free), Premium and Business levels.
  • Intodit – Free, but has ads
  • PicoWiki – Free, specially designed for PDA and SmartPhone use. Slogan: “All your notes, wherever you are.”
  • Springnote – Free. An “online notebook.”
  • Zoho – Free up to 3 users.

Fran Hawthorne on the Art & Craft of Nonfiction

Some of us fall into a debate with a friend over a prickly issue and walk away muttering to ourselves. Fran Hawthorne walked away with a book idea.

A chance discussion over the merits of Whole Foods Market was the genesis of The Overloaded Liberal: Shopping, Investing, Parenting and other Daily Dilemmas in  an Age of Political Activism, released earlier this year by Beacon Press. Hawthorne tackles the surprisingly complex ethical challenges faced by environmentally-aware, socially-concerned American consumers…including herself.

In fact, including herself as something of a main character in her narrative was a departure for Hawthorne, who has worked as a journalist for twenty years, and was comfortable with the third-person voice.

“It had to be a personal book, because I was living it, my friends were living it,’ Hawthorne told an audience at WriterHouse in Charlottesville last week. At the same time, it was “so scary, because you are putting so much of yourself out there.”

The Overloaded Liberal is not primarily a memoir; it’s a fact-filled account that involved conducing dozens of interviews and reading scores of books and articles. How does she get all that information in some usable form? “Oy vey,” she says via email interview, “you’re going to be sorry you asked…”

Using a technique developed over her years as a journalist, after every interview, Hawthorne types up her notes as a narrative outline complete with topics and subheadings. She does the same with articles she’s clipped and books she has read.

“Then, when I’m ready to write, I create sheets of topic pages — all this is longhand, not computer. On each sheet, there will be subheads. For instance, there might be a sheet labeled “Food,” and then then subheads “organic,” “meat,” “local,” “labels,” she says. Larger subheadings might be further broken into categories. “Then I go through all my typed notes, and basically every comment in every interview will fit into one or more of my pages.”

“Yes, doing this outline takes days and days and DAYS. But, believe me, it is a life-saver when I actually start writing.”

With about a year to write and revise a full manuscript, designing a plan of attack is critical — particularly for Hawthorne,  a full-time freelance writer for publications like the New York Times, The Scientist, and Newsday.

“You just have to push yourself. No days off. No evenings off,”she says. “For my last book, I actually set a  schedule: I would write Chapter 4 from October 14th to the 17th, Chapter 5 from October 18th to the 20th…I’ve never done that before and I hope I never will have to again.”

Her manuscripts go through three major drafts before they ever get to the publisher. After writing the first draft, she goes back through to check her facts and quotes for accuracy. Then, in the third pass, she works on style and language.

Once with the publisher, there are two or three further rounds of edits, ending with the typeset “proof” copy of the manuscript where, she says with a laugh, “they threaten you” if you change more than 10% of the material.  So far, she’s always come in under the threshold.

It’s hard work, she says, but highly rewarding. “I’m a craftsperson. I love words. I love language that sounds right, that sings and flows. Bad writing – repetitive sentence structures, paragraphs that begin with the same word over and over – make me physically cringe. So I love playing with my words to make them better, without the burden of fact-checking hovering over me.”

Asked for one piece of advice for aspiring nonfiction writers, Hawthorne notes that “information is the key. So the most important skill is the ability to get that information. And I think the key tactic there is knowing how to talk to people, how to get them to open up to you….and to keep your own mouth shut.”

Mixing Journalism with Memoir: A Literary Salon with Fran Hawthorne

Sunday, September 19, 7pm, Fran Hawthorne, award-winning author of The Overloaded Liberal: Shopping, Investing, Parenting and Other Daily Dilemmas in an Age of Political Activism (Beacon Press, 2010), will talk about making the political personal. How do you mix research and expert opinion with your own perceptions? How do you tackle a serious topic (like saving the earth) and make it intimate enough to be an enjoyable read? What happens when you insert yourself as a character in a nonfiction book?

Hawthorne is a freelance reporter for the New York Times, Newsday, and The Scientist, with 20 years of journalism experience and four books to her credit.

Check out the Event Page on Facebook, RSVP, and don’t forget to become a fan of WriterHouse.

Writing Contest

Local author and writing teacher Kevin Quirk alerted me to the Second Chances Writing Contest.  The contest is sponsored by the website for a new book he’s co-writing, Brace for Impact:  Miracle on the Hudson Survivors Share Their Stories of Near Death and Hope for a New Life.

Contest winners will see their story of hope and transformation on the front page of the website, and will receive an autographed copy of the book.  See rules for submission and more information on the Second Chances Writing Contest homepage.

Coming to WriterHouse in November — and beyond!

WriterHouse Public Events

»Nanowrimo Kickoff, Sunday, Nov. 1, 2-5pm—Hosted by the Charlottesville official Municipal Liasons, Rachel and Sophia. Get to know the other area Wrimos, get stoked, and then get writing! We’ll probably meet and greet for an hour or so and then settle in for some serious writing. If you have leftover Halloween candy, bring it along and swap candies you hate for candies you love. We’ll also have soda and a bag or two of chips — if you feel like contributing, please do! Drop Sophia a note so she can keep track. If you haven’t already signed up, make it official!

»Literary Journals from Both Sides of the Transom, Saturday, Nov. 7, 2:30-4:30pm—Editors and writers enjoy a symbiotic relationship. How do they find each other? What can writers do to facilitate a “good match”? Linda Fritz, editor of The Delmarva Review, Thom Didato, Publisher and Founding Editor of Failbetter.com and Barbara Esstman, an accomplished writer/teacher and a contributor to The Delmarva Review in 2008, will compare and contrast their experiences in literary publishing, share their insights, and answer questions about how to get your work published. More info…

»Save the date:

  • 01-05-2010, 7:00 Launch Party for member Laura Bynum’s book Veracity

Complete Public Event Details…

Half-Day Seminars (Registration Required)

If you’ve wanted to take a class, but can’t commit to an eight-week schedule, our Saturday Seminar Series is for you.

Jennifer Burns and Stephen Elliott in the news

Looking for a sneak preview of next week’s author events with Jennifer Burns and Stephen Elliott? Jennifer Burns will be talking about her book Goddess of the Market on America’s favorite faux-news show, The Daily Show with John Stewart, this Thursday, October 15. If you can’t catch the show on Comedy Central, the episode will be posted Friday at the web site. Goddess also received an incisive review in The New Republic.

As for Elliott’s The Adderall Diaries, it’s popping up all over the place. He was most recently interviewed on Gawker by none other than James Frey — very meta, as we say in the writing business (scroll down to the comments). The Rumpus is keeping a running list of Stephen’s appearances and reviews.

Both books are now available for purchase at WriterHouse and will also be available for signing at the events. We’ve had some awesome author events — if you haven’t already, go to our web site and sign up for email announcements so you don’t miss a thing.

Bogged Down in Blogging

Reading about the “worm” that is making its way around “old, unpatched” versions of WordPress, I imagined the segmented, legless creature making its way through my mother’s mending pile. Weaving in and out of grass-stained dungarees, bare at the knees. In and out of holes in the linen, scorched by Cora’s iron. In and out of the heels and toes of socks, waiting for the darning egg.

I have no idea how things get patched in cyberspace, but I am assuming that it does not require the likes of a thimble, needle, and thread. Disposing of the worm does not require touching the untouchable and tossing it back into the dirt outside the back door. I am guessing that patches are easier to find in cyberspace than they are in the twenty-first century shopping mall.

All of this has got me thinking about blogging. That insidious worm is blogging its way through open spaces. A wide open page invites bloggers to blog, making their way into unpatched territory because they can. Lately, I have been inundated with blogs. Some days as I make my way through numerous holes I feel as though I am an aimless Alice, having lost my way, having no idea where this wiggling and wriggling is taking me. Blogs are linked to other blogs, just as the worm finds the hole in the overalls on the other side of the linen napkin. My day is spent and the mending still awaits my attention.

Coming soon to WriterHouse — save the dates

WriterHouse Public Events

»NaNoPrepMo, 10-10-2009, 10-18-2009 and 10-25-2009, 2:00 PM—Come to meet the other local Wrimos (people participating in National Novel Writing Month) and get a jump on November. The rules allow outlines, character sketches, and any kind of planning that doesn’t involve actually writing your novel. Be ready to hit the ground running on November 1.

»Save these dates:

• 10-23-2009, 7:00 PM Ayn Rand Biographer Jennifer Burns

• 10-24-2009, 7:00 PM Stephen Elliott & The Adderall Diaries

• 11-07-2009, 2:30-4:30 Literary Journals: Both Sides of the Transom

More Public Event Details…

Half-Day Seminars (Registration Required)

If you’ve wanted to take a class, but can’t commit to an eight-week schedule, our Saturday Seminar Series is for you.

• 10-17-2009, 9:00 AM-1:00PM Elements of Fiction: Plot

• 10-24-2009, 9:00 AM-1:00PM Writing about Food—Turning Appetite into Art and Articles

• 11-21-2009, 9:00 AM-1:00 PM Elements of Fiction: Dialogue

• 12-5-2009, 9:00 AM-1:00 PM Spiritual Essay—Writing into the Questions